It's very Negan-esque and it surrounds Roxanne with a pack to protect her. She's getting them to shed their former lives and build themselves back up anew, into stronger versions, with new names, all hating on the same (now) non-existent enemy. Roxanne is now, basically, convincing these women to do exactly what she did. Fire.," moving from what was seemingly a one-note brute to a cunning manipulator, and Pyle's performance here was able to show us the cracks in her facade, especially when we watched Roxanne shoot a former member, Kate, in the back (which was the woman Hero tried to save back in "Karen and Benji"). Her life as a police detective was just a story, though it was still one peppered with actual experiences from her own life, making her performance natural and the lie easier to sell.
This week, we found out that Roxanne was merely an ex-PriceMax employee who discovered she enjoyed killing women with reckless abandon whenever they tried to enter her domain. Missi Pyle's Roxanne was gifted a few extra psychotic layers this week when we learned that she'd tricked all the others from the women's shelter into following her, exploiting various methods of psychology to galvanize them against men while having them trust her as a former societal authority figure.
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Threading through all of it was Roxanne's lie, which was revealed over several flashbacks, allowing this chapter to be the best of the series so far (though we're in "too little, too late" territory here), saddling up to both the themes of survival and the ever-enticing "apocalypse reinvention fantasy."
Fire.," unfurling a mystery regarding the PriceMax crew and all the converging combustible elements housed under that roof. Y: The Last Man zeroed in on one of its three ongoing stories this week in "Ready.
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